Tag Archives: Directors Cut Presents

Director’s Cut: Shorts

This week on Director’s Cutwe switch things up a bit by focusing on short films. Tune in as I welcome six directors to discuss their work ranging in genre from comedy to drama to the slightly sci-fi – even a touch of the supernatural! It’ll be a fast-paced show, as I only have a few minutes with each director. Short films = short interviews. 

Read on for more!

Continue reading Director’s Cut: Shorts

Director’s Cut: Keri Pickett and Roy Blakey, The Fabulous Ice Age

It’s all about about the golden age of figure skating on this week’s Director’s Cut! I was delighted to welcome director/producer/cinematographer Keri Pickett and one of her subjects, Roy Blakey, discussing their documentary The Fabulous Ice Age.

The Fabulous Ice Age trailer from Keri Pickett on Vimeo.

The journey begins in 1915, when a young German skater ignites America’s love with dancing on ice. The Fabulous Ice Age chronicles a century of theatrical skating: from Berlin’s Charlotte to America’s Ice Follies, Ice Capades, Holiday on Ice, and the Sonja Henie shows, illustrating how they dominated live entertainment for decades while also depicting one skater’s quest to share this history.

Read on for more about this film, and about my interview with Pickett and Blakey!

Continue reading Director’s Cut: Keri Pickett and Roy Blakey, The Fabulous Ice Age

New season of Director’s Cut: “The Blood is at the Doorstep”

Wisconsin Public Television’s Director’s Cut kicks off its 11th season this Friday! We’ve got a great lineup this season, starting with my first guest: Erik Ljung, director of the documentary The Blood is at the Doorstep.

Watch the trailer:

The Blood is at the Doorstep (exclusive SXSW trailer) from Erik Ljung on Vimeo.

On April 30, 2014, Dontre Hamilton, a black, unarmed man diagnosed with schizophrenia, was shot 14 times and killed by a Milwaukee police officer responding to a non-emergency wellness check in a popular downtown park.

Filmed over the course of three years in the direct aftermath of Dontre’s death, this intimate verite documentary follows his family as they struggle to find answers and challenge a criminal justice system stacked against them. Offering a painfully realistic glimpse inside a movement born out of tragedy, this explosive documentary takes a behind the scenes look at one of America’s most pressing social issues.

Read more about this film, and about my interview with filmmaker Erik Ljung.

Continue reading New season of Director’s Cut: “The Blood is at the Doorstep”

Director’s Cut: “From Mass to the Mountain”

This week on Director’s Cut, I welcome Kurt Sensenbrenner and Colin Sytsma, the creative team behind the documentary From Mass to the Mountain.

Watch the trailer:

From Mass to the Mountain – Official Trailer from Kurt Sensenbrenner on Vimeo.

The film’s protagonist is Father Wally Kasuboski, known in Panama as “Padre Pablo.” Though he has lived in Panama for the last 28 years, he is a native of Ripon, Wis. – also Sensenbrenner’s hometown, which is how the filmmakers made the connection with their subject. Their engaging documentary shows how Padre Pablo became the catalyst for bringing clean drinking water and infrastructure to a poverty-stricken region of eastern Panama.  Continue reading Director’s Cut: “From Mass to the Mountain”

Director’s Cut: Noah Hutton and “Deep Time”

This week on Director’s Cut, I’m joined by director Noah Hutton to discuss his award-winning documentary Deep Time. Deep Time explores how the oil boom, one of the biggest in recent history, has affected a small community in North Dakota. 

Watch the trailer:

Hutton’s first film Crude Independence, executive produced by Jonathan Demme, also dealt with the oil boom in North Dakota. He has dedicated a big part of his young life to telling two stories about this hot-topic issue and industry. You’d be well served to watch one of them this Friday night.  Continue reading Director’s Cut: Noah Hutton and “Deep Time”

Director’s Cut: Mac Smith and “Scouts Honor: Inside a Marching Brotherhood”

This week on Director’s Cut, it’s all about family, as director Mac Smith joins me to discuss Scouts Honor: Inside a Marching Brotherhood. It’s a solid film about a world I admit I knew very little about. Smith, a Hollywood sound professional, took on this passion project to tell a poignant, insightful and heartfelt story.

Poster for Scouts HonorThe full-length documentary looks at the competitive world of drum and bugle corps, where performers must be offered a contract in order to be part of the team.

Smith knows his topic well; he was a Scout himself. The experience was so enriching that, years later, he dedicated a couple years of his life to telling this story.

Continue reading Director’s Cut: Mac Smith and “Scouts Honor: Inside a Marching Brotherhood”

Director’s Cut: Writer-producer Erik Crary and “Uncle John”

Poster for the film Uncle JohnThis week on Director’s Cut, it’s a good old-fashioned eerie small town murder mystery: Uncle John.  I sat down with Erik Crary – half of the creative team – who co-wrote the script and produced the film. I love having writers as guests because they offer unique insight into the storytelling and movie-making process.  Continue reading Director’s Cut: Writer-producer Erik Crary and “Uncle John”

Director’s Cut: Rob Cohen & “Being Canadian”

This week on Director’s Cut,  it is my pleasure to welcome accomplished writer/director Rob Cohen to discuss his very funny documentary Being Canadian. Rob’s body of work as a comedy writer is impressive. His writing credits include The Simpsons – he wrote the ‘Flaming Moe’ episode –The Ben Stiller Show & The Big Bang Theory. Most recently he was working on podcast phenomenon Marc Maron’s show as both writer and director.

Being Canadian is Rob’s love letter to his homeland but was educational for him as well. It is an extremely well-directed and well-produced film, and as with most of Rob’s creations, it’s very funny and very dry. Rob interviewed tons of celebrities, most from Canada and a few from here in the States. The interviews are interesting, funny and set in some crazy locales. As a comedy writer and self proclaimed student of the craft myself for many years, even I was surprised at how many great comedians and writers are from Canada. Their ratio of great comedy writers to actual residents probably far outweighs what we have here and it hurts at little. Well, okay a lot. But at least it’s a little warmer here? 

As great an interview as Rob is, he was a great sport too, hanging out to riff and do some improv with me as we delved into his mysterious Hollywood legend that he always downplays. We explored the ‘myths’ of his career like – Is the Milhouse character from the Simpsons really based on you? Did Aimee Mann really write a song that was inspired by you? Is there an action figure from Austin Powers 2 based on your character? And of course Did you really have a classmate named, Peter Poontip? Be sure to check out the web extras for the answers. Continue reading Director’s Cut: Rob Cohen & “Being Canadian”

Director’s Cut: J.T. Arbogast & “Angel’s Perch”

This week on Director’s Cut, we welcome writer-producer-actor J.T. Arbogast to discuss his film Angel’s Perch. Arbogast, who makes his home in Los Angeles, hails from West Virginia. It’s a place he is still very fond of and where Angel’s Perch was shot. He was happy to come to Madison to discuss his passion project which hit very close to home and was semi-autobiographical.

Angel’s Perch is about hot-shot architect Jack, who is handed the project of a lifetime. At the same time, he is dealing with the death of his young wife, and his grandmother’s ailing health and dementia. Yes, the film has a lot going on emotionally, but Arbogast and his team pull it off. The plot has a little something for everyone, from young busy professionals more focused on their careers to those who know or have dealt with relatives dealing with a family member with dementia. Arbogast is a good actor and portrays an earnest and compassionate leading man as his story unfolds. 

In addition to writing chops, Arbogast has an eye for comedy and a background as well. He studied improv comedy for years and brought his talents to this personal story. Angel’s Perch is peppered with comedy throughout the film and it is well placed. It happens just when the viewer needs a break from heavier plot moments. Angel’s Perch is folksy and will tug on the heart strings just the right amount and make you laugh a little, too. Join us this Saturday night at 10 p.m. for Director’s Cut and Director’s Cut Presents on Wisconsin Public Television…your home for independent film!